Keep this Straightforward: Keys to Realistic Discussion (Part II)
Here are a few scenario writing points designed to add in enthusiasm for a figures — together with your memories.

1) Engage in next to category.

Are you currently talking about a nerdy university or college professor? A streetwise cop?

Target audience can have specified requirements of your characters determined by stereotypes. Shock subscribers by offering your heroes attributes and lengths and widths which go versus the stereotypes.

Possibly your nerdy university or college professor — is as well an authority road mma fighter.

Maybe your very difficult cop — wants to learn romantic relationships books.

Maybe your cruel mobster — possesses a very soft location for children and dogs and cats.

By mingling components in surprising techniques, you create your personas seem to be much more two to three-dimensional, memorable read full post, and unique. They appear fewer like characters and many more like proper many people.

And also component is unexpected surprise is wonderful, incorporating a sense of quality into the narrative. 2) Give your character a secret.

Secrets are great material for fiction.

Letting readers in on your character’s secret creates a sense of intimacy. Readers know something about your character that his wife or mother doesn’t know!

Secrets also create suspense. Will Bob’s mother guess that he’s selling drugs? Will Mary’s boss sense that she’s fallen in love with them? Will the secret come out? And if it does, what will happen next?

And secrets can make characters act in interesting ways, as they lie or dissimulate, try to cover their tracks.

Does your character have a secret emotion:
– a secret fear?
– a secret desire?
– a secret love?

Has your character done something that s/he doesn’t want others to find out about?

Is there something shameful in his/her past?

Is there some aspect of himself/herself that s/he doesn’t like? Is s/he pretending to be someone s/he’s not?

(When you’re coming up with your character’s secret — remember to play against type!)

3) Lower his/her inhibitions.

Fortunately, in real life, most of us have great powers of self-control. We repress rage, jealousy, inappropriate desires, and all sorts of emotions that can cause trouble. We don’t let ourself act on our most dangerous urges.

In real life, that’s often a very good thing!

But consider writing about a character who is impulsive; a character who …
– gives in to temptation
– speaks without thinking
– doesn’t hesitate to take risks.

It’s fun to watch a character acting on the urges that we would not, someone who throws caution to the wind.

This type of person tends to make things happen, which is good for your story.

And if s/he gets into trouble, that might be especially good for your story!

4) Make him/her proactive.

Proactive characters take control of situations and make things happen.

Let’s say your character discovers her husband is cheating on her. A reactive character would sit around feeling angry and hurt. A proactive character would come up with a plan to save her marriage — or to get revenge.

Let’s say someone kidnaps your character. A reactive character would wait to be rescued. A proactive character would come up with a plan to get away. And after he gets away, he might decide to hunt down his kidnapper.

(Of course, in real life, we can’t always control what happens to us. We often just don’t have a choice. But in fiction, you can give your character a choice).

Proactive characters are interesting to watch because they’re dynamic. They create action in your story.

Another interesting type of character: a passive person who is forced by circumstances to become proactive. The wronged wife is THAT ANGRY at her husband — angry enough to change from a timid, reasonable, law-abiding citizen to someone who will do anything for revenge…

5) Choose a different main character.

Is there a character who’s stealing the show from your main character? A character who intrigues you more? Whenever this character comes on stage, the writing flows, and the scene comes to life.

Maybe it’s your character’s funny best friend. Maybe it’s her boyfriend. Maybe it’s even your character’s enemy.

Consider LETTING this character steal the show. Change your story around so that this character becomes the focus.

Maybe have things happen to the funny best friend instead of the main character you had in mind. Or write the story from the point of view of the villain.

Above all, have fun. If you have fun writing about a particular character, it’s a good bet that readers will have fun reading about him.

You can learn more about developing characters in our online course, Bringing Characters to Life